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- <text id=93TT1979>
- <title>
- July 05, 1993: How to Run a Movie Studio
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1993
- July 05, 1993 Hitting Back At Terrorists
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- SPECTATOR, Page 65
- How to Run a Movie Studio
- </hdr>
- <body>
- <p>Will Eastwood help Columbia Pictures recover from its Schwarzenegger
- trauma?
- </p>
- <p>By Kurt Andersen
- </p>
- <p> There are guides to the nuts and bolts of making movies, but
- until now there has been no instructional text for top people
- in Hollywood--that is, those dozen or so executives whose
- job it is to hand out several billion dollars of other people's
- money (especially Japanese people's money) to extremely good-looking,
- talented and/or lucky Southern Californians.
- </p>
- <p> 1. Don't believe in sure things--not even Arnold Schwarzenegger.
- When you hire Arnold for a movie, as Columbia Pictures did for
- Last Action Hero, the industry's working assumption has been
- that "you couldn't miss $75 or $80 million at the box office,"
- in the words of one Sony executive. You would make at least
- that much again from theaters overseas, and a similar amount
- from video around the world--and from all of that around $100
- million flowed back to the studio, a sum that might just cover
- Columbia's costs on Last Action Hero. Unfortunately for Columbia,
- reaching even that minimum threshold looks dicey.
- </p>
- <p> 2. Take your time. To make an ordinary film requires a year
- or more. Last Action Hero--unusually expensive, technically
- complicated, conceptually ambitious--got the go-ahead barely
- 10 months ago, and production continued into March (with reshoots
- in May), making the movie even more costly and sodden than it
- might have been. Last Action Hero, says the head of one studio,
- is "an advertisement for stupidity. They way overproduced, and
- they way overspent."
- </p>
- <p> 3. If you find yourself in a money pit, try not to brag about
- it. It's one thing to wave off the corporate bean counters'
- attempts at cost control, as a studio source says Columbia president
- Mark Canton did last winter on Last Action Hero, but Canton
- and his boss, Sony Pictures chairman Peter Guber, were publicly
- cavalier about the mega-yen budget. A modestly priced Last Action
- Hero, Guber said at a conference in March, "would wind up being
- Last starring Arnold Schwarz." At the time, the line seemed
- funny.
- </p>
- <p> 4. In fact, try not to brag at all. "Canton was crowing, `This
- is the big one; this is the best thing I've done,' " says an
- executive who has worked with Canton. "Well, he said that once
- before." That would be a reference to the disastrous Bonfire
- of the Vanities in 1990, which at the time Canton called "the
- best movie we've ever made."
- </p>
- <p> 5. If you can't control your hubris, at least control your panic.
- What did Canton hope to gain by phoning the editor of Variety
- and ranting about the show-business paper's negative review
- of Last Action Hero? Columbia executives, crazed with anxiety
- in their corporate bunker, were peeved when the Los Angeles
- Times published a free-lance writer's lighthearted, thinly sourced
- account of a preview screening that the studio plausibly insists
- never occurred. But did they have to throw an embarrassing,
- no-win tantrum? Unless the newspaper agreed to keep the reporter
- from mentioning Columbia Pictures ever again, the studio said
- it would have nothing to do with anybody from the Times. "It's
- like Nixon in the last days of Watergate," says a Columbia employee.
- As Nixon learned, you can't beat the press: last week, after
- the deadline for accepting the nutty ultimatum passed, Columbia
- said, Never mind, we didn't mean it. But they still insist it
- was the newspaper sniping that kept moviegoers away. "We were
- damned going in," says Columbia's Sid Ganis.
- </p>
- <p> 6. Instead of blaming the press, blame your rivals: they really
- want you to fail. "I got so many calls over the weekend from
- people gloating," says a studio head, chuckling over his faxed
- copy of the disappointing Last Action grosses. "I never knew
- there were so many vicious people." The same executive helpfully
- pointed out that Last Action Hero is really the "first big picture"
- developed by Canton at Columbia, thus denying him credit for
- A Few Good Men and Groundhog Day.
- </p>
- <p> 7. Sound philosophical. As Canton says, the movie business is
- "cycular." And as his more eloquent boss Guber says, "Failure
- is not the end game--it is an almost inevitable cul-de-sac
- on the road to success."
- </p>
- <p> 8. Get back on the road to success immediately. Luckily for
- Columbia, next week the studio is releasing In the Line of Fire,
- Clint Eastwood's entertaining, hugely commercial thriller, which
- will help the bosses forget this bad patch--Arnold? Arnold
- who?--and turn them back into blithe motion-picture geniuses,
- their jobs safe. "Remember," says an executive who knows Canton
- and Guber, "Guber is inextricably tied to this guy." Inextricably?
- "Yes," the bigwig confirms. "For a while, anyway."
- </p>
-
- </body>
- </article>
- </text>
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